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The stereotype of the aspiring writer trying to survive by teaching English on the side is nothing new. James Joyce, JK Rowling and Nick Hornby are just a few of the novelists who taught EFL in order to fund their works in progress. All these writers had to pave their own way to literary success with jobs that barely earned them a basic living with limited opportunities to focus on their art. And it's not just novelists who juggle their creative endeavours with TEFL, but journalists, copywriters, travel writers, scriptwriters, playwrights and bloggers too. Yet we all know that neither teaching nor writing are the best paid jobs to begin with, so what exactly is the allure? And is there a way to ensure simultaneous success in both of these professions?
CELTA, DELTA, Trinity Dip, M.A. in Applied Linguistics… there is an increasing number of courses on offer for the aspiring English language teacher. Navigating the opportunities and understanding the realities of what each brings is key if you are to make it all worth your while. Many will start off their career attempting the CELTA or Trinity TESOL (also known as TEFL-I qualifications), the two most popular entry-level courses on offer in TEFL. Ironically, what most teachers end up doing for their first jobs is nothing like the small groups of adult learners neatly grouped into levels, and so why the expectation and desire to put ourselves through it? Well, obviously, in order to get a job. Not to say that it is essential for your first teaching position. In fact, most countries require a 120-hour teaching qualification, with only the UK, USA and Saudi Arabia actually stipulating that a CELTA/TESOL is required (Deady, 2019). These shorter courses can be done...
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